In 1994, two video game enthusiasts start documenting "the game industry". Passion, madness and naked programmers fly around as they film the barely 20 years old guys and their strict boss, working and living at Finland's only game studio.

Story of trust, relationships and regrets, revolving around five people with different backgrounds and their faith and conviction. It highlights the concept of how the creator rewards the people who believe in hard work and patience.

It is the year 2074. In a world threatened by aliens... an unlikely hero emerges! Ken Izumi may look like an ordinary 10-year-old boy, but he secretly possesses weapons, armor, and accessories that transform him into the superheroic Chargeman Ken. Ken protects his mom, dad, little sister Caron, robot pal Barican, and the rest of mankind from the diabolical Juralians, shape-shifting alien invaders bent on terrorizing the earth. The only thing standing between the fragile human race and conquest by the Juralians is Chargeman Ken and his unquenchable thirst for fiery, atomic justice!

Everything about college student Amamiya Yuuhi is average: grades, looks and his blasé outlook on life. So what happens when he awakens one day to a talking lizard, who informs him that there is a gigantic hammer in outer space, poised to split the Earth into pieces, and requests his allegiance in the fight against the forces of evil? Pretend it never happened! Unfortunately for Yuuhi, a little bit of coercion in the form of a super-powered princess prevents him from returning to his mediocre life-as-usual. In the adventure of his lifetime, Yuuhi will join forces with the unpredictable princess and seek out a motley crew of companions to fight back against an evil mage and his horrifyingly powerful homunculus before the Biscuit Hammer destroys the planet!

Matsuoka plays the role of Ogure Teppei, a 35-year-old policeman who dreams of being promoted to the First Investigation Division. One day, he suddenly slips back in time to 22 years...

NBC Sunday Showcase was a series of hour-long specials telecast in color on NBC during the 1959-60 season. The flexible anthology format varied weekly from comedies and science fiction to musicals and historical dramas. The recent introduction of videotape made repeats possible, and two 1959 dramas had repeats in 1960. On the heels of his Broadway hits The Pajama Game and Damn Yankees, Richard Adler composed the opening Sunday Showcase theme music, titled "Sunday Drive".

The largest art museum in the Americas prepares to celebrate its 150th birthday with a treasure trove of landmark exhibitions. When COVID-19 strikes, the world shuts down and, for the first time in its history, the Met closes its doors. Then comes another crisis: in the wake of the killing of George Floyd, there are urgent demands for social justice.

Against the sumptuous background of Peterborough Cathedral and its environs, one is carried into Trollope's world of the intriguing machinations of the clerical establishment of Barchester. Backed by the authenticity of the period detail, the portrayal of all the characters accurately conveys the whole range of human emotions within the stories.