Wei Li is the product manager of an Internet delivery company. His mundane life is carved up by excessive overtime and all-nighters. His wife operates a dance studio, and his adolescent daughter is busy preparing for the high school entrance exam. This seemingly rather peaceful life has been shattered by a sudden accident…

Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions as a lonely socialite and her chauffeur become more than friends.

An attractive Countess arrives in a village in the Veneto, which revolutionized the entire population. In fact, she has a very precise plan: to conquer an old rancher who has inherited a village after the death of his mother and keep all their assets using its many charms.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Because of a serious motor disability, Claudia cannot move without being helped by her mother. At the age of 20 she is still a virgin and wonders what sexual pleasure could possibly be like. But one day Marco, a Love Giver, comes into her life. Marco has just attended the first course to help disabled people to discover their own bodies and sexuality, an unprecedented event, on the margins of legality. Supported by a team of specialists, Claudia and Marco embark on a series of meetings which become ever more intimate. However, the project is subject to protocol which includes a rule that is difficult to enforce: never fall in love.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

In 1916, a group of prisoners plot their escape from the notorious fortress located in French Guiana.

In this gripping suspense-thriller, the daughter of a wealthy mayoral candidate and her friends are held for ransom by a group of daring criminals. Soon, as tempers flare and tension mounts, secrets rise to the surface revealing that these kidnappers are after much more than money.

After she's invited to join an elite club at her college, Zoey begins to suspect her new friends are murderers.

Set in Flossmore Valley and Egypt, Timmy, Brushbrush and Bubbles visit the pyramids on their official pyramid investigation business as they explore the pyramid of King Tooth Uncommon.

Mystery writer Marian Carstairs is hard at work trying to finish her latest novel. Her three children meanwhile are entertaining themselves by trying to solve a murder in their own neighborhood. In between gathering clues, the kids play matchmaker by trying to fix up their widowed mom with the handsome detective investigating the case.

A woman with a troubled past introduces lust, depravity and sex to a religious commune.

A colorful music and dance tribute to the peasants and workers of Brazil.

FROM ACCLAIMED INDIE SHORT FILMMAKERS, THE VARAVA BROTHERS, COMES THE WHIMSICAL AND HISTORICALLY ACCURATE TALE OF ONE TUMBLEWEED THAT DID NOT TUMBLE.

After an excerpt from 'Baraka (1992)' , featuring the music of Dead Can Dance, we see them in concert in Santa Monica CA, alternated with interview sequences with the lead members (Lisa Gerrard and Brendan Perry) where they discuss their influences (Asian/Mid-Eastern music and Irish ballads), their instrumentation (Chinese dulcimer, various percussion, synthesizers), and their different approaches