People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Given a pardon from jail, Roy Earle gets back into the swing of things as he robs a swanky resort.

An ailing Greek man attempts to take a young, illegal Albanian immigrant home.

After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

A killer is released from prison and breaks into a remote home to kill a woman, her handicapped son and her pretty daughter.

Celovečerný debut režiséra Martina Scorseseho rozpráva o konzervatívnej morálke v strete s moderným svetom. J.R. je mladý Italoameričan, neveľmi vzdelaný, zato však bystrý. Žije v uzatvorenej komunite "Malého Talianska" v New Yorku a väčšinu voľného času zabíja poflakovaním spolu s kamarátmi z miestneho gangu. Jedného dňa na trajekte spozná dievčinu, ktorá pochádza z odlišného sveta. Študuje na vysokej škole, zaujíma sa o literatúru, žije sama vo vlastnom byte. Hoci zázemie a výchova týchto dvoch mladých ľudí sú si vzdialené, ich sympatie postupne prerastú do lásky. Keď sa však J.R. dozvie, že jeho priateľka už nie je panna, nedokáže sa s tým vyrovnať a vzťah ukončí. Nepomôžu ani vyznania lásky a vysvetlenie, že v minulosti bola znásilnená. J.R., vychovávaný podľa zásad prísnej katolíckej morálky a vedený k úcte voči ideálu ženy-matky a ženy-panny, sa napriek vlastným citom nedokáže zbaviť predsudkov.

In this prequel to the original, a bloody power struggle among the Triads coincides with the 1997 handover of Hong Kong, setting up the events of the first film.

A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

Karen z Litvy sa vydá za Taliana Antonia, aby unikla z internačného tábora a odsťahuje sa s ním na jeho rodný ostrov Stromboli. Dedina na úpätí aktívnej sopky je takmer vyľudnená a tí obyvatelia, ktorí v nej ostali, sa na cudzinku, ktorá nerozumie miestnemu dialektu, pozerajú s pohŕdaním. Miesto sa pre Karen čoskoro stáva novým väzením a ona zúfalo hľadá spôsob, ako by z neho unikla.

Marie-Line is juggling between odd jobs to support her agoraphobic father. Despite the precariousness of their lifestyle, she remains a lively and cheerful young woman. Yet, after a series of unfortunate events, she is fired from her job and sentenced by a judge to a small penalty. A few days later, this very judge will be in a position to help her get back on track – a chance for Marie-Line but also the beginning of an unlikely friendship.

Krásna a hrdá princezná Fantaghiro chce za každú cenu vyslobodiť kráľa Romualda a vrátiť ho naspäť do sveta živých. Tomuto rozhodnutiu, na ktoré sa sama podujala, je ochotná podriadiť všetko a podstúpiť i nemožné. K vytúženému cieľu však existuje len jediná možná cesta - cesta prekážok, nebezpečenstiev, nástrah a príkoria. A tak odvážnu princeznú Fantaghiro čaká v jej živote najťažší a najnebezpečnejší súboj, aký kedy podstúpila.

Falšovaná päťstofranková bankovka cynicky putuje od človeka k človeku, od obchodu k obchodu, až sa dostane do rúk nevinného muža, ktorý nespozná, že bankovka je falošná a to má zničujúci vplyv na jeho život.

Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.

Aunt Agatha writes to Toto, informing him that she won't send him another penny until he is married.