A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?

Christel Wyttová odchádza z rodného mesta Alexander Valley do San Francisca a cestou rozpráva o tom, čo predchádzalo tomuto zásadnému životnému kroku. Na svadbe svojej staršej sestry Becky sa stredoškoláčka Christel zoznámi so Spencerom Hillom, bývalým veliteľom svojho švagra Toma vo Vietname, ktorý neskôr získal právnický titul. Na prvý pohľad medzi nimi preskočí iskra sympatií. Christel na Spencera deň čo deň romanticky myslí a Spencer na ňu tiež, ale nezdá sa mu reálne spájať svoju budúcnosť s takým mladým dievčaťom. O rok neskôr sa na pár okamihov stretnú na krstinách Beckinho syna a potom ich život opäť rozdelí. Spencer sa ponáhľa do New Yorku, aby pomohol s prípravami na primárky senátora Kennedyho, a Christel sa zdá byť predurčená zostať na rodinnom ranči, hoci sníva o kariére speváčky. Po smrti Teda Wythea, ktorý držal ochrannú ruku nad svojou mladšou dcérou, Tom znásilní Christel...

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

The brothers Sultan and Bekzat Ibrayev are serving faithfully in the Armed Forces of Kazakhstan, and at the same time they are in family disagreement. Sultan is a valiant intelligence officer and Bekzat is a talented fighter pilot. While an international terrorist organization prepares a carefully planned attack on the country's strategically important facilities, the brothers have to face not only a mortal threat, but also face a family confrontation related to their dead father. Circumstances force them to unite in order to save human lives, and the brothers eventually understand that their homeland and family are the most valuable thing they have.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

On July 7, 1944, a U.S. Army hospital on the remote island of Saipan is overrun by Japanese forces during a relentless attack. Outgunned and surrounded by the enemy, a lone medic puts it all on the line to lead a band of wounded soldiers to safety.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

Couple Jin-goo and Joo-hee have been experiencing a lover's slump after their marriage. Meanwhile, a new couple in the neighborhood, Hyun-jin and Yoo-jeong came to the other couple's house to introduce themselves. They're attracted with each other's husbands and wives, and in the end, crosses the line that is not supposed to be crossed within neighbors. After that day, two couples' passion intensifies...

8mm work directed by Norihiko Morinaga.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.

The soldier king Qin Yang's fiancée Ye Qin met with an unknown beast and died tragically. Gu Ping invites him to participate in Ye Qin's scientific research before her death. But Gu Ping is using Ye Qin's research results to combine the genes of unknown beasts to create the "Zero" dragon creature. The intelligent dragon creature, coupled with the extra-terrestrial beast evolved by devouring, an imminent city war is coming...

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.