A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

This movie tells the story of Hong Kil Dong, a legendary 15th century Korean Robin Hood figure. It is a mildly entertaining action film with an anti-feudal message.

Izolované sanatórium uprostred divočiny v Západnej Virgínii je opustené od chvíle, čo sa podarilo všetkým utiecť vidieckej rodine kanibalov, ktorá sa zatúžila pomstiť svojim väzniteľom. O niekoľko desaťročí neskôr hľadá v onej nemocnici skupina vysokoškolských študentov útočisko pred snehovou fujavicou, ktorá im zmarila plány na víkendové lyžovanie. Keď sa ale študenti stretnú s bývalými pacientmi sanatória, majú iba dve možnosti, brániť sa alebo zomrieť!

Max is obsessed with the idea of being a serial killer. After meticulously studying them and trying to become one, does he have what it takes to actually kill a person?

A young woman loses her umbrella in a café altering her perception of the world forever.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

After an embarrassing divorce ceremony, Hyun-woo returns to the single life that he dreamed of and hopes to enjoy his freedom forever. Just six months later, his ex-wife Sun-young comes back into his life, but as the love interest of Sang-chul, an old friend from high school. Now he has to try and escape from her sudden return and avoid his friend who's keen on introducing his new love to his old friend.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Small, yellow-bellied forest spirits make a discovery that threatens the balance of their world.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Po tom, čo sa Bella zotaví z útoku upíra, ktorý ju takmer pripavil o život, chystá sa s Edwardom a jeho rodinou osláviť svoje 18. narodeniny. Nešťastnou náhodou sa však Bella na večierku poraní a pohľad na čerstvú krv je pre rodinu Cullenovcov až príliš lákavý. Pre Bellino bezpečie sa preto upírska rodina rozhodne opustiť mestečko Forks. To však Belle zlomí srdce. Keď sa zdá, že zo svojho smútku sa už nikdy nevylieči, nový zmysel života prekvapivo nachádza vo vzťahu k nezodpovednúmu indiánskemu mladíkovi a vlkolakovi Jacobovi Blackovi. Ale aj v tomto prípade číha na Bellu nebezpečenstvo v rôznych nečakaných podobách. Jacob je totiž vlkolak a nepriateľ upírov.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

School is over for the day. A stationary camera is trained on the door of the high school at the top of a few stairs. A man and small boy emerge, followed by wave after wave of boys, each in jacket and tie, most wearing caps. A few are arm in arm. At least 150 boys and young men appear. Then about 120 women and girls appear, parting to go in either direction down the sidewalk in front of the school. All are in long skirts and wear big hats; most wear blouses and jackets or coats. Some are adults; most seem older than the boys who've left just ahead of them. The last person to leave is a gentleman.

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.