„Božský“ je ironická prezývka Giulia Andreottiho (1919 – 2013), talianskeho kresťanskodemokratického politika, ktorý opakovane zastával funkciu premiéra, bol ministrom zahraničných vecí a doživotným senátorom. Sorrentino sa naňho pozerá s nadhľadom i veľkou mierou fascinácie: „Sú ľudia, ktorí prepadnú banku s pištoľou a krikom, a sú takí, ktorí tie peniaze ukradnú ticho, šikovne a nikto ich neodhalí. Je to otázka inej inteligencie a Andreotti bol ten druhý prípad.“

Príbeh starnúceho spisovateľa a novinára Jepa zasadzuje Paolo Sorrentino do „trblietajúcej“ sa vysokej smotánky podmanivého Ríma a po vzore filmových velikánov Federica Felliniho a Michelangela Antonioniho podáva kritiku súčasnej spoločnosti, žijúcej v povrchnosti, pretvárke a zaslepenosti. Kľúčovými motívmi Sorrentinovho filmu sú dvojpólovosť života a umenia a hľadanie skutočnej krásy. Film poukazuje na to, že pod nablýskaným, ale aj nie príliš vábnym povrchom sa môže skrývať oslnivá krása.

Groteskne štylizovaný film nakrútený s veľkým dôrazom na estetickú stránku je treťou snímkou Paola Sorrentina. Geremia je starý, škaredý, ale bohatý úžerník a jeho vzťah k peniazom je priam chorobný. Požičiava ich nešťastníkom, ktorí to potrebujú, a potom ich s vysokými úrokmi kruto, cynicky a s ironickou úlisnosťou vymáha späť.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Lugano, Švajčiarsko. Titta Di Girolamo je nenápadný a mrzutý muž, ktorý už takmer desať rokov žije v skromnej hotelovej izbe, väzeň krutej rutiny, zjavne bez cieľa. Jeho minulosť je záhadou, nikto nevie, čím sa živí, na indiskrétne otázky odpovedá vyhýbavo. Aké tajomstvá skrýva tento záhadný muž?

V luxusnom kúpeľnom hoteli vo švajčiarskych Alpách sa každý rok stretávajú starí priatelia Fred Ballinger a Mick Boyle. Tento rok sa tu Fred lieči pod dozorom svojej dcéry a medzi liečebnými kúrami s Mickom spomínajú na svoje pestré životy hudobného skladateľa a filmového režiséra a so suchým humorom komentujú svoje chátrajúce telesné schránky. Kypiaci život okolo nich a ostatní excentrickí hostia, juhoamerická futbalová legenda, mladý herec z Kalifornie alebo súčasná Miss Universe, im poskytujú bohaté podnety na úvahy o mladosti, kráse, kreativite, skrátka o všetkom, čo zaháňa myšlienky na blízky koniec.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana, overwhelmed by a sudden love and a violent crime.

It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.

Henry struggles to bond with his estranged son, Gabriel, who suffers from a brain tumor that prevents him from forming new memories. With Gabriel unable to shed the beliefs and interests that caused their physical and emotional distance, Henry must learn to embrace his son's choices and try to connect with him through music.

Okraj islandského poloostrova Reykjanes. Dve ženy, ktorých osudy sa na krátku chvíľu vďaka nepredvídateľným okolnostiam pretnú. Medzi islandskou slobodnou matkou a africkou ženou žiadajúcou o azyl sa vytvorí intímne puto a obe začnú spoločne bojovať za to, aby sa ich životy vrátili na tú správnu cestu.

Set in Kansas City in 1933, Eastwood plays a police lieutenant known simply by his last name, Speer. Reynolds plays a former cop turned private eye named Mike Murphy. Both Speer and Murphy served on the force together and were once good friends, but are now bitter enemies. When Murphy's partner is slain they team up again to fight the mob.

A story of a man who fakes his own death and assumes a new identity in order to escape his life, who then moves in with a woman who is also trying to leave her past behind.

The frustrated housewife Leslie visits an animal shop to purchase a flea-collar. Unknowing that the owner is a werewolf, she accepts his invitation to lunch and later in his apartment. Through a bite in her toe he starts her slow transformation in a werewolf. Home again, she desperately tries to hide the often disgusting process from her family, but her daughter Jennifer and her - from horror magazines well educated - friend recognize what's going on, and help to kill the non-human.

Harry Kilmer returns to Japan after several years in order to rescue his friend George's kidnapped daughter - and ends up on the wrong side of the Yakuza, the notorious Japanese mafia.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Paul is agonising over his interpretation of 'Uncle Vanya' and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.

Upon his release from prison, an ex-convict returns to his beloved city of Genoa, and to his lover.

Alma and Alex, two adolescent sisters, are survivors of a catastrophic event. They live deep in the woods with their Mother, a strict, over-protective woman who has sheltered them from ominous presences, the Shadows, which live in the daylight and infest the world beyond the river, a border for Alma and Alex. When they follow Mother, out for hunting, Alma and Alex start a series of events which will make them discover the truth about the Shadows and their own reality.

A police inspector suspects a serial killer is afoot in the university city of Bologna, luring in his victims through online video chats before murdering them and assuming their identity.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.