In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other, things get complicated. Especially with the increasing danger from the revengeful Soviet army!

We must protect this house.

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then?

In ‘Love’, the subtleties of first desires to climactic scenes of impassioned dialogue and action, to betrayal, disgust and violence that have played out over the history of film are ripped from original contexts and edited into a repetitive staccato rush, regurgitating, for our entertainment, horror and critique, the stereotypical, hyperbolic trajectory of (heterosexual) love. Through this process Moffatt unites the graphic punch and suggestiveness of the still image with the satisfaction of a complete movie narrative. In the end, its only a movie. ‘Love’ embodies Moffatt’s desire to create work that has an ‘international look’ and deal with ‘universal predicaments’. 'Love' is both parody and pastiche, critical comment, and wryly humorous.

A cop travels back in time to take on a corporation that's out to eliminate a doctor who has created a new technology which can break up the monopoly on a energy resources.

Shin-ah, a free spirit, has an unexpected encounter with Dong-gi, who seeks excitement. After a passionate night, she breaks up with her boyfriend and reunites with Dong-gi when he calls. The two fall madly in love.

A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.

In a remote village in occupied Europe, the SS pursue their inhuman treatment of captured partisans in efforts to force them to betray their comrades.... while Fraulein Krast, a sadistic biologist, concentrates her efforts on the womenfolk with refined tortures and humiliation, leaving them to the mercy of a sex-crazed half-man, half-beast she has created with experimental injections.... And as advancing Allied forces approach the village, Krast herself becomes a victim of her own fiendish rituals....

Love presents many challenges to couples...but none so daunting as the one Justin faces with his girlfriend April...

Príbeh tajného a vášnivého erotického dobrodružstva medzi mladou francúzskou školáčkou a starším čínskym obchodníkom sa odohráva v roku 1929 v Indočíne. Stretli sa len náhodou, pretože ich svety sú v rasovo segregovanej spoločnosti nezlučiteľné. On sa ponúkne, že ju odvezie do školy, ona prijme a nasadne do jeho luxusného auta. Tak sa začína príbeh ich tajných stretnutí, ktoré prebiehajú takmer bez slov a ďaleko od ľudí. Čo spája týchto dvoch ľudí, oddelených kultúrami, vekom i spoločenským postavením? Aké šance má ich telesná fascinácia vo svete, riadiacom sa prísnymi pravidlami? Adaptácia autobiografického románu francúzskej spisovateľky a filmovej režisérky Marguerite Durasovej vyvolala po svojej premiére vlnu rozruchu kvôli odvážnemu stvárneniu erotickej romance Francúzky a Číňana.

Sewashi and Doraemon find themselves way back in time and meet Nobita. It is up to Doraemon to take care of Nobita or else he will not return to the present.

In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.

Osemročný Peter nemôže v noci spávať – spoza stien v jeho detskej izbe sa neustále ozýva záhadné klopanie. Rodičia ho však presviedčajú, že tie zvuky sú len výplodom jeho fantázie. Peter si však nič nevymýšľa a vie, že to, čo počuje, je skutočné. Bojí sa čoraz viac, pretože začína podozrievať mamu a otca, že pred ním z neznámych dôvodov taja niečo strašné z rodinnej minulosti. Môže byť pre dieťa niečo desivejšie, ako keď nemôže veriť vlastným rodičom?

Táto romantická dráma rozpráva príbeh dvoch tínedžerov, ktorí patria do iného sveta. Ich vzťah je prakticky nemožný, ale rovnako nevyhnutný. Je to dobre vychované dievča, ktoré odmalička vychovávali k veľkorysosti, naivite a dodržiavaniu pravidiel. Je vzdorovitý, impulzívny, nezodpovedný a závislý od rizika a nebezpečenstva. Svojím správaním sa neustále dostáva do konfliktov a úplne ignoruje zdravý rozum.

Film Pápežov exorcista, ktorý je inšpirovaný skutočnými zápiskami otca Gabriela Amortha, hlavného vatikánskeho exorcista, sleduje Amortha, ktorý sa snaží vyšetriť desivú posadnutosť mladého chlapca. Nakoniec však odhalí po stáročia staré sprisahanie, ktoré sa Vatikán zúfalo snažil utajiť.

On the brink of losing her childhood home, Maddie discovers an intriguing job listing: wealthy helicopter parents looking for someone to “date” their introverted 19-year-old son, Percy, before he leaves for college. To her surprise, Maddie soon discovers the awkward Percy is no sure thing.

Scarlett Marlowová študuje na univerzite odbor Mestskej archeológie a Paríž je z tohto pohľadu pre ňu skutočný raj. V podzemí sa tu vinú stovky kilometrov chodieb, v ktorých je vpísaná história mesta. Pri štúdiu starých máp narazí na záznamy o tajomnej podzemnej miestnosti, ktorú sa rozhodne nájsť a preskúmať. Svoje nadšenie a odhodlanie nakoniec prenesie aj na partiu speleológov a dobrodruhov. Prehovorí ich, aby ju doviedli do „dolného“ Paríža. Hneď na začiatku cesty prechádzajú okolo nápisu s varovaním, že vstupujú do ríše mŕtvych. Bohužiaľ ho neberú vážne. O pár hodín neskôr však všetci na vlastnej koži pocítia, že so smrťou je neradno sa zahrávať, pretože takáto hra vás môže stáť život.

With the Tendos, the Saotomes, Ryoga, Shampoo and Ukyo misinterpreting Tatewake Kuno's invitation to his two loves, Akane and "The Pig Tailed Girl", to try his new yacht, a whole new episode of chaos begins in the already unstable lives of the Saotome/Tendo clan. A mysterious shadow kidnaps first Akane's sister Kasumi, then continues on until all the girls disappear. All except everyone's favorite hydrotranssexual. As an ambush, Ranma's set out to trap one of the shadows, revealing them to be under the control of a powerful prince Toma. Toma is the young prince of a floating island to which only males are born due to a powerful spring which turns anything into a man. Of course, he's out to rescue the girls, but more importantly, can he get a hold of the water that may free him of the Jusenkyo curse? And even more importantly, can he keep his mouth shut before Akane does more damage to him then Prince Toma does?

Vo svete budúcnosti sú ľudia rozdelení do piatich frakcií podľa svojich dobrých vlastností. Každá vyznáva iné hodnoty, spoločne však vytvárajú harmonický celok. Ibaže hlavná hrdinka Tris do žiadnej škatuľky nezapadá a test ukáže, že je divergentná – inak povedané, má predpoklady a talent pre viaceré frakcie. Systém okamžite ukáže svoju odvrátenú tvár a z Tris sa stáva štvaná zver. Kto sa líši, znamená hrozbu. A hrozbu treba zlikvidovať.