With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

The kids try to raise money to buy a doll for Marianne.

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Leon, a hacker convicted for a crime he did not commit, escapes from detention centre following the death of his father, to take revenge on the man who really did it.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Through a series of mishaps, the proper bank official Gunnarsson is forced to spend his first days of vacation in the archipelago of Stockholm, both in and out of the water.

John is driving through the most godforsaken area of Norway, when he accidently gets a flat tire. By his attempt to change the tire he realizes that that his car wasn't equipped with one. But as he takes a peek at the ditch next to the road, he sees a whole bunch of spare tires. The world's nicest guy stops to offer help. The problem is that John really do not want help, and he knows an accident rarely comes alone...

This documentary is dedicated to Nina Perebeyeva, a woman who operates the only private dog shelter in Kazakhstan under deplorable conditions. Her compassion is a sharp contrast to the day-to-day activities of Vova, a vicious dog catcher and a drunkard who lives in the same town.

There is a classy speedwalker, there is a disabled beggar, there are saintly singers, there are free guns for everyone, there is an extremly heavy suitcase, there are cozy toilet stalls, there is an uncertain forecast, and it all has to make sense eventually, hasn’t it?

Disturbed teenager Jo Fay loses it and attacks a nurse at the hospital when she is told her critically ill mother won't qualify for a liver transplant due to her chronic alcoholism. Years later, when she is released from a mental institution, Jo seems normal but harbors a ferocious rage to take revenge on everyone she blames for her mother's death. Ashley Jones, Carlena Britch star. (2017)

Based on a poem by I. Pivovorova