Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.

Príbeh mladého chlapca Edmunda sa odohráva v zničenom Nemecku bezprostredne po druhej svetovej vojne, v období, keď musí krajina a jej obyvatelia začať od nuly. Edmund s rodinou zápasia o každodenný kúsok jedla – až kým Edmund nestretne svojho bývalého učiteľa, ktorý by mu mohol pomôcť. Zdá sa však, že Edmunda vystavuje ešte väčšiemu nebezpečenstvu.

The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.

Karen z Litvy sa vydá za Taliana Antonia, aby unikla z internačného tábora a odsťahuje sa s ním na jeho rodný ostrov Stromboli. Dedina na úpätí aktívnej sopky je takmer vyľudnená a tí obyvatelia, ktorí v nej ostali, sa na cudzinku, ktorá nerozumie miestnemu dialektu, pozerajú s pohŕdaním. Miesto sa pre Karen čoskoro stáva novým väzením a ona zúfalo hľadá spôsob, ako by z neho unikla.

Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.

Jednoduchá zápletka – ukradnutie bicykla, ktorý slúži ako pracovný nástroj – synekdochicky otvára sociálne problémy v postfašistickom Taliansku. Aj napriek využitiu mnohých hollywoodskych postupov filmového rozprávania sa pred očami diváka odvíja obraz všedného života. Etický problém zachovania ľudskej dôstojnosti na pokraji udržania holej existencie v spoločnosti je len predĺžením smeru nastoleného režisérom Vittoriom De Sicom a umelecko-teoretickým otcom neorealistického hnutia, scenáristom Ceserem Zavattinim, ktorý ukotvoval neorealizmus na humanistických základoch.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

A detective is assigned to investigate the mysterious murders of some Supreme Court judges.

Train operator Andrea Marcocci has to witness the suicide of a desperate man who jumps in front of his train. Under the influence of this shock he starts making mistakes. A check up by a doctor reveals that he's at the brink of becoming an alcoholic. Due to this evaluation he is degraded and must accept a salary cut.

Celal, lives an unhappy family life with his wife Sevilay and his child in a small town. Celal and his brother Cemal, running an electrician shop which doesn't go well. They are in debt. The only fun they have is going to the night clubs in Samsun. Celal's love for Sibel Ceylan who works in the night club, will cause him trouble. Celal's wife, Sevilay, saves her money, sent by her father who lives in Germany. She is unaware of the fact that Celal knows her secret.

Plucky Englishwoman Joan Webster travels to the remote islands of the Scottish Hebrides in order to marry a wealthy industrialist. Trapped by inclement weather on the Isle of Mull and unable to continue to her destination, Joan finds herself charmed by the straightforward, no-nonsense islanders around her, and becomes increasingly attracted to naval officer Torquil MacNeil, who holds a secret that may change her life forever.

Tokiko is a mother patiently waiting for her husband's return from the war when her 4-year old son becomes ill. She takes him to the doctor for treatment but has no way of paying. She resorts to prostitution. One month later her husband returns from WWII to find his desperate wife, who tells him the truth. Together they must deal with the consequences.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

When Italy surrenders to the Allies, part of the Italian army is dispersed and soldiers begin to return to their homes.

Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.