Hrôzu tentoraz nebude vzbudzovať videokazeta s tajuplným obsahom, ale zdanlivo celkom obyčajný kľúč. Ten vyfasuje mladá ošetrovateľka Caroline od svojich nových pacientov, postaršieho manželského páru, ktorý žije v starobylej a trochu spustnutej usadlosti v zapadnutom kúte Louisiany, na juhu Spojených štátov. Prazvláštne zvyky oboch starcov, husiu kožu naháňajúca atmosféra starého domu a celého okolia, to všetko podnecuje Carolininu fantáziu a zvedavosť. Univerzálny kľúč, ktorým môže otvoriť všetky dvere v dome, jej umožní vydať sa na prieskum budovy. Na povale objaví tajnú miestnosť skrývajúcu desivé tajomstvo, ktoré možno navždy zmení jej život, pokiaľ ju oň rovno nepripraví. Niektoré dvere by radšej mali zostať zamknuté.

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

Brian De Palma rozohral erotický thriller o zmyselnom vzťahu dvoch žien, dvoch rivaliek, ktoré v súperení nepoznajú medze. Rachel McAdamsová v úlohe elegantne zlomyseľnej kariéristky neváha urobiť maximum pre svoje povýšenie. Nielenže ukradne nápad svojej asistentke (Noomi Rapaceová), ale nie je jej zaťažko využiť a psychicky rozložiť zvyšok svojich kolegov. Dobre premyslená odplata na seba ale nenechá dlho čakať. Rad napínavých snových sekvencií dômyselne stiera hranicu medzi realitou a snom a zároveň ponúka divákovi niekoľko variantov jednej udalosti. Vášeň nevšedne pracuje so zabehnutými žánrami a divákovým očakávaním.

Kit, a troubled girl, is sent to the exclusive Blackwood boarding school, where she discovers that only four other female students have been admitted to learn the four pillars of knowledge under the ominous wing of the mysterious headmistress Madame Duret.

Oko za oko. Zub za zub. Starodávne pravidlo pochované pod tuhou civilizačnou šupkou. V ľudskom živote ale môžu nastať chvíle, kedy sa táto šupka zlúpne a z baránkov sa stávajú vlci. Väčšinou v tom hrá úlohu náhoda. Trebárs ako tá, ktorá poslala bandu násilníkov ukryť sa pred búrkou do posledného domu naľavo, v ktorom žili ľudia, ktorí sa behom jedinej noci premenili z obetí v ich katov. Thrillerom Posledný dom naľavo odštartoval v roku 1972 kariéru majster hrôzy Wes Craven. Jeho remake má vydesiť novú generáciu návštevníkov kín a sľubuje rovnako šokujúce predstavenie. Mari Collingwoodová prišla s rodičmi stráviť prázdniny na ich letné sídlo utopené uprostred hlbokých lesov. Idyla sa stratí ihneď po príjazde, kedy Mari vyrazí pozdraviť dávnu kamarátku Paige a spoločne vojdú do cesty z väzenia utekajúcemu psychopatovi Krugovi a jeho kumpánom. Tí sa chcú nepohodlných svedkýň zbaviť. Paige zavraždia, ale Mari, napriek tomu, že ju znásilnia a postrelia, dokáže utiecť.

Z poslednej vôle zosnulého otca sa dve mladé ženy Carole a Caroline dozvedia, že sú polovičné sestry. Ďalší šok zažijú, keď sa s otcom stretnú osobne, a on je živý a zdravý. V skutočnosti je Patrick prefíkaný zlodej, majster s veľkým rešpektom vo svojom obore. Jeho stretnutie s dcérami má okrem vzájomného zmierenia aj ďalší dôvod. Bývalý partner ho zradil a on mu to rozhodne neodpustí. A Patrickove dcéry mu teraz musia pomôcť vykonať spravodlivú pomstu.

The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

When neighborhood kids begin vanishing, Jenny suspects her child psychologist husband, Carter, may be resuming the deranged experiments his father performed on Carter when he was young. Now, it falls to Jenny to unravel the mystery. And as more children disappear, she fears for her own child's safety.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Nad Lincolnovým letiskom zúri snehová búrka, ktorá obmedzuje prevádzku. V okamihu, keď sa na štart chystá linka do Ríma, uviazne na ranveji mexické lietadlo. Problémy sa však nekončia ani po štarte – medzi cestujúcimi je šialenec s bombou, ktorý chce ukončiť svoj život. Začína sa boj s časom a napätými nervami...

A young artist is commissioned by the wife of a wealthy landowner to make a series of drawings of the estate while her husband is away.

I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.

During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this absurd and grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance.

A same-sex couple move to a small town so they can enjoy a better quality of life and raise their 16 year-old daughter with the best social values. But nothing is as it seems in their picturesque neighbourhood. And when Malik sees the folks next door throwing a very strange party, something very shocking has got to give.

A couple agree to have their deceased son cloned under the supervision of an enigmatic doctor, but bizarre things start to happen years after his rebirth.

The story begins with Makoto Segawa, a freshman at Meikei University. On the day of his university entrance ceremony, Makoto meets a fresh-faced, quirky girl named Shizuru. Makoto has a complex which causes him to shy away from contact with other people, but she succeeds in getting him to open up to her naturally. All Shizuru wants is to be with Makoto, so she takes up a camera too. The two spend their days together taking photos in the forest behind the campus. However, Makoto has feelings for another student named Miyuki. Shizuru decides that if Makoto likes Miyuki, she wants to like her too. She wants to like everything that he does. One day, she tells Makoto that she wants to take a photo of them kissing in the forest as a present for 'her birthday'. He obliges for her sake, and they kiss in the forest.

A former astronaut helps a government agent and a police detective track the source of mysterious alien pod spores, filled with lethal flesh-dissolving acid, to a South American coffee plantation controlled by alien pod clones.

Justine, struggles with commitment, listens to old David Bowie covers, and uses her employer’s private MRI machines to make “X-Ray Art” After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her father’s absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.

The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.