An old Finnish athlete travels alone through eastern Europe with his van.

Angelika bola unesená z náručia milovaného Jeoffreyho de Peyraca zákerným pirátom Escrainvillom. I keď sa Peyrac okamžite vydá zločinca prenasledovať a po neľútostnom boji sa jeho lode zmocní, svoju Angeliku už na palube nenájde. Escrainville ju totiž medzitým predal priekupníkovi Mezzo Mortemu. Zatiaľ čo Peyrac pokračuje v pátraní po svojej manželke, Angelika sa dostane do rúk Osmana Ferradjiho, pána háremu marockého sultána Mulaja Rašida. Ten má v pláne urobiť z nej tretiu sultánovu milenku. Ona však stále miluje jediného muža - Peyraca. S pomocou otroka Colina Paturela sa Angelika pripravuje na útek. Na jej záchrane pracuje aj Jeoffrey, ktorý predstiera, že je jedným z galejníkov. Chce sa dostať do marockého Meknesa, spojiť sa s Angelikou a pokúsiť sa ju zachrániť...

Po poprave svojho milovaného manžela Peyraca žila Angelika istý čas medzi parížskou spodinou po boku svojho priateľa z detstva Nicolasa. Po jeho smrti a mnohých dobrodružstvách sa nakoniec rozhodla vydať za bratanca Filipa de Plessis-Bellieres. Jej nový manžel nečakane zomrie na bojovom poli a Angelika je vzápätí povolaná kráľom späť na dvor, aby splnila náročnú diplomatickú úlohu. Má presvedčiť perzského veľvyslanca Batchary-Beja k podpisu zmluvy o spolupráci s Francúzskom. Bej je však jej krásou okúzlený natoľko, že ju uväzní vo svojom paláci. Zo zajatia ju síce zachráni maďarský gróf Rákoczi, dohoda je však ohrozená a kráľ zúri. Angelika je zatknutá, ale ani kráľ neodolá jej kráse. Keď však vidí, že si jej náklonnosť nezíska, pretože medzi nimi stojí tieň Peyracovej smrti, prezradí Angelike, že to nebol on, kto zomrel na hranici. Život krásnej markízy dostáva nový zmysel a ona sa vydá hľadať svojho strateného manžela...

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Ide o posledný film z Antonioniho slávnej „tetralógie citov“ a zároveň jeho prvý farebný film. Režisér sa vo filme venuje veľkým modernistickým témam úzkosti a odcudzenia v modernom svete. Hlavnú ženskú úlohu stvárnila Monica Vitti, vtedajšia Antonioniho partnerka.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.

Missy Davisová je mladá učiteľka v malej vidieckej škole. Jedného dňa sa spoznáva s Grandom Thomasom, ktorý pracuje na železnici, a ktorý má o Missy záujem. Missin otec si zanedlho vážne poraní nohu sekerou a život mu zachráni mladý Neight, ktorý ho nájde a tiež vylieči. Keďže Missin otec nemôže po svojom zranení pracovať na poli, musia ho zastúpiť jeho manželka a dcéra. Napokon im príde s prácou pomôcť aj Neight. Čo sa týka vzťahu Granda a Missy, keď Missy spozná Grandovu namyslenosť, odmieta jeho ponuku na sobáš. Keď sa Neight dozvie, že Missy sa už nestretáva s Grandom, zostane u nich pracovať a nakoniec požiada Missy o ruku a ona súhlasí.

This romantic drama by Michelangelo Antonioni follows the love life of Vittoria, a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.

For seven years, Antoine de Caunes and José Garcia made their mark on French comedy history each evening in prime-time on their show, "Nulle part Ailleurs".

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

Bruno cestuje pozdĺž nemeckej vnútornej hranice a v chátrajúcich kinách opravuje pokazené premietačky. Robert uteká pred svojou minulosťou a so svojím autom si to namieri rovno do rieky. Keď ho Bruno vyloví, zoberie ho na cestu so sebou...

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.