When Ahmed's father travels abroad for work, he gets harassed for refusing to give a part of his income to those who helped him travel. The father dies, and when his body arrives in Egypt, the Interpol suspects Ahmed and his father of being members of a terrorist organization.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

A watershed program in Australian television, The Dream aired every night for the 15 nights of the Sydney Olympic Games. Roy and HG engaged in loosely scripted banter, hilarious athlete interviews, and most famously a reinterpretation of Gymnastics, Greco-Roman Wrestling, Weight-lifting and Diving with their own distinctive commentary style.

A team of scientists working on a remote dig site find the buried body of an enormous monster, perfectly preserved even after 200 million years. As soon as the beast is uncovered, however, an alien spacecraft suddenly appears above them and brings the monster back to life! The creature immediately sets about levelling the surrounding urban landscape and shrugging off the best firepower the military can throw at it. A lone scientist, working on decrypting an ancient set of hieroglyphics, may be on the verge of finding the aliens' weak point, but will it be too late?

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

It's night-time. Brenda, a pretty young woman, is in bed. Suddenly, the light goes out. Using the light from her phone, Brenda crosses the house looking for the circuit breaker. But something stands there, lurking in the darkness.

A border guard faces a crisis of conscience when he learns that an old comrade is smuggling butter across the border.

Oh lulla-lullaby, How I want to sleep, So I'll put my head, On the white bed, Maybe I will fall asleep... Film about childhood that never returns, about dreams that can’t come true and about madness as a kind of happiness or grief.

Norman Pitkin is the assistant helping to run a small, old fashioned dairy which is threatened by a larger, modern organisation. Pitkin does his best to save the dairy (and his horse) and the usual chaos ensues

Goku, the lone wolf private detective is back, contracted by Yoshiko, a mysterious, beautiful and very afraid woman, to find and save her brother, Ryu. Will Goku be able to protect Yoshiko from her step father's soldiers long enough to find her brother? Meanwhile Ryu, the unfortunate subject of a military experiment gone bad, leaves a trail of bodies behind him and has no intention of being found or saved by anyone. Will Goku have to kill the man he is supposed to save? Will even his omniscient cybernetic eye and sceptre be enough to help him defeat this indestructible killing machine?

Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Day 2 HoneyWorks stage for “Capture the Moment” Savor it. Treasure it. Continued growth since 1st fes. Cherished memories. Emotions. A future that is built to last. And this moment is no less precious. Treasure every moment, most importantly this very one. Here, now. In staying true to those ideals, hololive 5th fes. will take place on a three-sided stage – an unprecedented and monumental first for hololive production! Connecting past, present, and future, we aim to hold a performance the likes of which have never before been seen.