A young man from a rural village travels a long way to meet his long-lost grandfather on his deathbed, only to find himself taking over the large triad enterprise his grandfather left behind, with hilarious results.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

This first spin-off movie focuses on Ugly Kwan, played by Francis Ng.

In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.

The swinging sounds of Benny Goodman's quartet are accentuated in this animated fantasy.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Lanky Fellow has a typical cynical SW like way to earn his living. He observes valuable transports of money or gold, but when they are robbed he doesn't intervene, but follows the robbers and then brings the loot back to collect the insurance. When his "job" brings him in conflict with the notorious outlaw Gus Kenneback, he has personal reasons to protect the money as Kenneback was once responsible for the death of Lanky's brother.

Seokjin is a boss, but he follows Jaejin, who takes care of himself like a neighbor. Jaejin is also a fan of such Seokjin. Jaejin is a sexless couple, so Enjin is newly married. However, Seokjin, who loves breasts, is also dissatisfied with his wife who does not show her breasts during sex. While Jaejin leaves for a moment, Sujin, the wife of Jaejin, comes to Seokjin's eyes, but Sujin keeps her eyes on Sujin's chest full of volume with deep and beautiful goals. Jaejin and Seokjin drink at Seokjin's house after work. Jae-jin, who has a thirst or goes out to drink water, sees Jeong-hee sleeping in the kitchen. Seok-jin, who likes breasts, and Jae-jin, who likes hips, have a secret time with their wife.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

A raw, rough-hewn look at the life of Screw publisher Al Goldstein.

Strawberry Shortcake and her pals meet some new furry friends in these delightful "tails" about being yourself and encouraging others to do the same. Strawberry helps out some stray pooches in "A Boy and His Dogs." Blueberry Muffin and Huck become "Partners in Crime" when they try to write a mystery story. And the girls start a dog shelter in "The Mystery of the Disappearing Dog Show."

A horror short with no dialogue (Advised to watch with headphones)

“Ox-Fam”, Neddy’s excellent Oxford scene video, With new footage from the likes of Tom Watts, Jason Cloete, Joe Paget, Phil Sproul, James Needham, Alex Brewster, Kieran Mounsey, Alex Fuller, Jono Wyborn, Luke McInnerney, Olly Maton, Michael Halls, plus many more heads from around the south coast and Sheffield, this is definitely one for the collection!

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.