Bettina Eriksen, manager of her Uncle Teodor's nursing home, is being framed for murder. With the help of 2 older ladies, Bettina sets out to find out the murderer's identity and motive.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

The comedian and best selling author of "Cancer on $5 a Day...How Humor Got Me Through the Toughest Journey of My Life," has plenty to say on everything from raising a 17 year old daughter, bargaining with the Almighty, and how not to make friends with a dolphin.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

After botching a kidnapping, two criminals hide with their victim in a friends house in the jungle. After one of them rapes the friend's wife, they're left to be eaten by a nearby cannibal tribe.

'J' tells the story of a man who lives an isolated life before encountering a woman that will open up, for a while, his controlled world. In 'J', time is at first an internal condition and, as the story unfolds, the effect of a mysterious mirror, where solitude is a condition of space itself and nearness and love are but a position of an impossible witness. Can space hold all the memories of a life without witnesses?

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

The complicated life of a wannabe actress who meets an older writer in the midst of a crisis.

Frames 20th-Century ideologies and dreams of liberation, using found footage. The film presents an account of the period between 1932-1985, juxtaposing two different films in a montage format. One, 18mm home footage of an unknown Danish family, taken before and after WW2. A deadpan camera registers happy holiday moments, the Berlin Olympics (1936), and the World Exhibition in Paris (1937). Secondly, and with the same lack of involvement, we see the liberation of Denmark in May 1945. The second film is a first generation erotic movie, shot in 1972, showing a student's party developing into carnality, reflecting the liberating promises of this newly legalized pornography. The entire montage is accompanied by and interview with Charles Manson, who projects his messianic views from his prison cell. Through its anti-dramatic slide from normality to perversion, the film implicitly challenges the 20th-Century welfare state's promise of freedom to its citizens.

The story starts off with an ancient painting of Nagavalli (Vimala Raman), distributed as a prize to bharathanatyam dancer Saraswathi (Lakshmi Gopalaswamy), her husband and her family. At the Engagement day of Gowri (Sandhya), one of her friends had fainted by encountering a huge thirty-feet Snake/Serpent, and the bridegroom/fiancé had ran away from the family house fearing of something. All strange incidents happen as the family called for a snake charmer to the house, but the snake charmer had died when he attempted to make the serpent appear.

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

The boys buy mama a new hat for Mother's Day, but on the way home fall in the mud and ruin it. They swap the bad hat with one that a nearby horse is wearing and head home.

Daniel Guth is a passionate doctor and is confronted with difficult decisions every day. The fate of little Tessa is particularly close to his heart. The young patient is diagnosed with an insidious arterial disease. She has to have an operation. Shortly before the procedure, Tessa loses her nerve and escapes after her parents argue. Daniel is forced to work with his closest competitor if he wants to save the child's life and find Tessa in time.

François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.

Movement within a painting, which begins with the savagery of a battle and comes to a halt in a rendition of a masterpiece of the 15th century – The Battle of San Romano by Paolo Uccello.