The film recreates the final events leading to Italian unification in September 1870.

In this parody of 1903's "Great Train Robbery", also made by Edwin S. Porter, young bandits rob the passengers of a kiddie train and are chased by police officers.

Georges Mélies je jedným z najslávnejších „otcov“ filmu. Ako prvý si uvedomil silu filmovej ilúzie a pracoval s ňou tak, že dokázal vytvoriť aj krátkometrážne sci-fi. Vo svojej slávnej Ceste na Mesiac tak vystrelil raketu skôr, než sa to podarilo Rusom či Američanom, objavil Mesačných ľudí a stretol sa aj s prvými pirátmi. Neustále kopírovanie jeho filmov, v čom ešte nejestvovala právna ochrana, ho nakoniec tak zdeptalo, že skončil v obchode s hračkami a svoje dielo spálil.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

The leader of a marching band demonstrates an unusual way of writing music.

The portrait of a man and his attempts to make things up with life after losing his job.

A former sheriff relentlessly pursuing the 7 men who murdered his wife in Arizona crosses paths with a couple heading to California.

Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club

A World War II veteran hunts down the Nazi collaborators who killed his wife.

An early version of the classic, based more on the 1902 stage musical than on the original novel.

The physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

Herb’s life is a mess. He’s lost his welfare, can’t hold a job, can’t talk to his son, has a neighbour who won’t shut up and a diet that consists mainly of cheap beer and mushy peas. It’s no way to live and he knows it. Then he learns from a TV news report that Danish prisoners have it way better than he does: a job, accessible healthcare, the quiet of the countryside, even an HDTV. They’re practically living in hotels. He says goodbye (and good riddance) to his dingy flat and smuggles himself to Denmark aboard a cargo ship, landing in a quaint town with everything he needs -- including a bank to rob. But when he meets a friendly local barmaid and a lovable stray dog that won’t leave his side, he begins to wonder if prison really is his only chance of a fulfilling life.

Two troubled youths break out of their halfway house and make their way to one's home.

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.

George Albert Smith's remake of Georges Méliès - Le Manoir du diable (The Haunted Castle) from 1896. This film is lost or never existed. Copies of it online are actually a Méliès film.

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

A Middle-aged Japanese ex-pat journalist investigates child organ trafficking in Thailand and he uncovers a sinister network. In the darkest corners of Thailand, child prostitution and organ sales flourish. In order to save a child's life, another life must be taken. An outraged Japanese journalist and a passionate young Japanese NGO member attempt to save "children of the dark" from being consumed by arrogance and greed. However, the harsh realities of life intervene... Adapting Yan Sogil's book, which unflinchingly portrays the tragic realities unfolding today, filmmaker Junji Sakamoto directs a talented multinational cast to bring these stark events to life.