A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.

An unlucky Birthday boy must fight for his life against a masked psychopath.

Sidney Prescottová si zmenila meno, usadila sa v horskom dome v Monterey a pracuje z domova na linke ženského krízového centra. Desivé udalosti, ktoré prežila na vlastnej koži, inšpirovali hollywoodskych filmárov natoľko, že podľa nich pripravujú natáčanie hororu. A to je chvíľa, kedy znovu začne vyčíňať nebezpečný zabijak, ktorý používa rovnaké rekvizity - desivú masku, kostým a menič hlasu.

Hlavným hrdinom príbehu je Ludovic Cruchot, svedomitý policajt, ktorý má problémy predovšetkým so svojou dospievajúcou dcérou Nicole. Za vzorné plnenie povinností je preložený zo zapadnutej alpskej dediny do turistického letoviska na azúrovom pobreží Stredozemného mora. Jeho príchod spôsobí v mestečku poriadny rozruch, keď nová posila zboru stihne len cestou z autobusovej zastávky napariť šokovaným obyvateľom a turistom deväť pokút. Rovnaký rozruch vzbudí v mestečku jeho pohľadná sedemnásťročná dcéra Nicole, ktorá sa chce dostať medzi miestnu partiu mladých ľudí, a preto sa pred nimi vydáva za dcéru amerického milionára Fergusona, ktorého jachta práve zakotvila v prístave.

Mark Hoffman pokračuje v krvavom odkaze svojho mentora Jigsawa, ktorý pred rokmi celú túto zvrátenú hru odštartoval. Kto si tentokrát zaslúži bojovať o svoj život? Aké nové hračky čakajú na nie tak celkom nevinné obete? A hlavne, povedal už mŕtvy Jigsaw svoje posledné slovo?

Martin je syn ľudskej muchy, vedca, ktorého gény boli tragicky zdeformované pri nepodarenom experimente. A teraz je len otázkou času, kedy sa zmutované gény vnútri Martina prebudia k životu.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Death by Misadventure: The Mysterious Life of Bruce Lee exposes the truth behind Lee's death and the cover-up that ensued.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

The Fixies are little creatures that, unseen by humans, help them maintain their appliances – and generally make sure things don’t fall apart… Until an unexpected occurrence of gargantuan proportions threatens to reveal the Fixies’ existence!

A pensioner takes a walk in the park.

Red, a shy orphan who spent most of his childhood in a girly bar, grew up to be the town's best fixer. When a rich kid was gunned down in a drug bust that went wrong, Red was hired by Art, a spoiled socialite, to fix the mess.

A guy going through a rough patch, turns to her unusual best friend for help.

Rosalie loves to shop too much to let a little thing like no money stop her. When the local shopkeepers no longer take her bad checks or bad credit cards, she's finds herself out of ways to please her consumerist tendencies… until she discovers The Internet! Master shopper becomes master hacker, and Rosalie is back on top.

Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.